French-Indian Dancer Nyota Inyoka 1896-1971
French-Indian Dancer Nyota Inyoka 1896-1971
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9折 1782元
1980元
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預計最高可得金幣85點 ? 可100%折抵
活動加倍另計 -
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- 作者: Katia,Legeret-Manochhaya 追蹤 ? 追蹤作者後,您會在第一時間收到作者新書通知。
- 出版社: Ingram 追蹤 ? 追蹤出版社後,您會在第一時間收到出版社新書通知。
- 出版日:2023/05/03
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內容簡介
Nyota Inyoka created around 50 compositions combining Theatre, Dance and Music relating to India, between 1921 and her final performances in the 1950s. From the very beginning of her international career, she performed in the most prestigious theatres of the time, mainly in France, in Europe and in America. Nyota Inyoka was a pioneer in many respects. She was the first Franco-Indian woman artist in Indian modern dance, but was no doubt overshadowed by the first modern Indian dancer Uday Shankar. Nyota Inyoka was the first feminist Indian dancer to draw inspiration from Hinduism, as her innovation came through the medium of figures of goddesses. Historians have largely ignored this pioneer, certainly due to the fact that she is unclassifiable. Her work was shut into the category of oriental dance, with its presumptions related to the history and imaginary of colonialism, which press coverage of her performances was eager to highlight. Yet Nyota Inyoka was extremely close to the India of her time. But the exceptional nature of Nyota Inyoka's work goes even further. She was the first in France to interpretate on a western stage the difficult portion of the most ancient Sanskrit dance treatise, encompassing the 108 kara?a, an alphabet of poses and steps, for which so many Indian dance styles offer an interpretation. She did this particularly at the time of the reinvention of temple dances of southern India starting in the 1930s.
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